The Art 貯蔵所 最高の，を越す 20 とじ込み／提出するs

There are some surprising results when one 熟考する／考慮するs the web 統計（学） for the appr. 6,000 pages of text and 400 images at The Art 貯蔵所.

That the readers have highs 基準s is of course not surpirising, but still it is remarkable that classics like Francis Bacon's "The New Atlantis" and Adam Smith's "Wealth of Nations" together with world literature's first known 手動式の, Chaucer's "A Treatise on the Astrolabe" 設立する their way into this 名簿（に載せる）／表（にあげる）. Articles about comics and 激しく揺する groups did not. On the other 手渡す, Betty Page （警官の）巡回区域，受持ち区域 them all ...

I have done some interpolation to 補償する for how long time articles have been 利用できる, but of course this is not an exact science. As a 事柄 of fact web 統計（学） is such an uncertain 貿易（する） that I will not publish any 人物／姿／数字s here, just the relations between とじ込み／提出する 接近s.

The 名簿（に載せる）／表（にあげる） is calculated from 人物／姿／数字s from the last year 加える two months (May '96-July '97). Should I have covered the time from the very first 問題／発行する of The Art 貯蔵所 two years ago, the Kisamor とじ込み／提出するs would probably have made it to the 名簿（に載せる）／表（にあげる）. They were very popular the first year.

Surprising is also that, for some 推論する／理由, The Art 貯蔵所 readers have some special predilection for Rilke, and not Rilke in general but the fifth Duino elegy, which ended up number 19. And の中で my own Photoshop 実験s "Return of Pleurisy" got four times as many 訪問者s as the 残り／休憩（する） of those images and should really be on place 15 here below, but I 嫌疑者，容疑者／疑う the result is 予定 to 医療の students looking for something else then barely 明白な pictures ... (After interpolating with the number of readers who 見解（をとる）d the other images I decided the pleurisy image would 結局最後にはーなる appr. number 25 or 30, that is, outside this 名簿（に載せる）／表（にあげる）.)

The text 構成要素 seems to be the most popular (if number 1 is to be regarded as まず第一に／本来 a text or image 文書 could of course be 論争d). さもなければ the visual artists who 設立する their way into this 名簿（に載せる）／表（にあげる） are Ted Warnell, Channa Bankier, Edvard Derkert and Teresa Wennberg.

Here is the 名簿（に載せる）／表（にあげる） - with links:

1. The Betty Page 復活 (ENG); Det våras för Betty Page (SWE)

2. Eudora - How a Southern writer （機の）カム to lend her 指名する to a computer program (the actual story, "Why I Live at the P.O." by Eudora Welty, got almost as many 訪問者s as this article)

3. The hacker - archaeologist of the 未来? (The second of a 一連の three articles about archival 保護 of electronic 文書s).

4. The Ruskin texts about William Turner's paitings.

5. 3 D images, to be 見解（をとる）d with or without anaglyph specs.

6. Good morning, my 指名する is Guillaume Apollinaire! (ENG); God dag, mitt namn är Guillaume Apollinaire! (SWE). An article by Björn Ericsson introducing "L'Esprit Nouveau et les Poëtes."

7. Sound とじ込み／提出する: James Joyce reads from "Finnegans Wake".

8. About the origins of the @-調印する: "A 調印する of the times" (ENG), "Ett tecken i tiden" (SWE)

9. "Jens August Schade: Den kosmiske barden". Essay about Danish poet Schade. Only 利用できる in Swedish.

10. Jonathan Swift: A Modest 提案 (1729).

11. Adam Smith: Wealth of Nations (1776).

12. Ted Warnell: Six photographics, 1995-96.

13. Francis Bacon: The New Atlantis (1614).

14. Geoffrey Chaucer: A Treatise on the Astrolabe (appr. 1391).

15 Linda Hedendahl: Elva dikter (SWE), eleven poems in Swedish.

16. Georg Stiernhielm: Hercules. (Verbatim from the 1658 printed 版 in old Swedish, written by "the father of Swedish literature".)

17. Channa Bankier: Five images (computer art), 1996.

18 Edvard Derkert: Seven collages, 1992-96.

19. Rainer Maria Rilke: Duineser Elegien, the fifth elegy.

20. Teresa Wennberg: Stills from 3D computer 活気／アニメーションs.

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