作曲家, musician. Born 1951 in Tel Aviv, イスラエル. Plays sopranino, soprano, alto and tenor saxophones 同様に as B-flat clarinet, bassethorn, contrabass clarinet and operates computerized sound systems. 熟考する／考慮するd new music and its 解釈／通訳 at the Fylkingen 学校／設ける for New Music 1975-1977, musicology at Stockholm University 1977-1978, and composition at the Stockholm Music 学院 (with Gunnar Bucht, Sven-David Sandström and Brian Ferneyhough) 1978-1983. 創立者 of 解放する／自由な music improvisation groups Lokomotiv Konkret and The Too Much Too Soon Orchestra. Has 成し遂げるd and 記録，記録的な／記録するd 単独の and with several groups in Sweden, Russia, イスラエル, Europe and the US during the last 17 years. Living in Stockholm, Sweden, since 1973.
Selected Compositions:
"Shrapnel" for contabass clarinet and tape, 1978
"Brand" improvisation for orchestra, 1979-80
"Requiem over the years 1960-1980" for soloists and orchestra, 1979-80
"Maavak" for 6 perc., 2 picc. fl., 2 sopr. sax., 2 trpt, 4 el.kb, 1980-81
"Stalingrad", improvisation for soloists and orchestra, 1981-82
"Written in salt" for 10 percussionists, 1982-83
"Knock a Red Wedge into the White 封鎖する" for big orchestra, 1981-84
"Hallel" for soprano sax 単独の, 1984
"バリケード" for four 手渡す piano, 1984
"Too much too soon" for sopr. sax., 派手に宣伝する 始める，決める and tape, 1984
"Matches" for 2 perc., 2 el.guitars, sopr.sax., 1985
"Schlafbrand" for perc., and church 組織／臓器, 1985
"Gol'a" for church 組織／臓器, 1986
"Let the millionaires go naked" for 4 el. guitars, 2 drummers and tenor saxophone, 1987
"You are dead" for 2 el. guitars, 2 el. vlc, 2 el. trbs, 派手に宣伝するs, 1987
"Holtz Narkose" for contrabass clarinet, computer and live electronics, 1988
"Ansatz" for alto saxophone and computer, 1989
"Herkos Odonton I" for cello, （着弾の瞬間に破裂する）着発, live electronics, ten. sax., and machines, 1989
"A death of a dream" for cello 単独の, 1991
"Herkos Odonton II" for guitar tape and one actor, 1991
"The celestial 解雇する／砲火／射撃" for （着弾の瞬間に破裂する）着発 and tape, 1991
"Umipnej chatoenu" for （着弾の瞬間に破裂する）着発 and tape, 1991
"The heart" for saxophone and tape, 1991
"Abyssal" for clarinet and tape, 1991
"Karos" for 4 cellos, violin and tape, 1991
"Beatrice 控訴" for cello 単独の, 1991
"Wir kommen zurück" for 15 instrumentalists, 1992
"Guai" for flute, clarinet, piano, （着弾の瞬間に破裂する）着発 and string trio, 1992
"Between the two halves of the orange" for piano 単独の, 1993
"Kaos I, II & III" for 議会 ensemble, machines and live electronics, 1993
"Hazman" for symphonic 勝利，勝つd orchestra, 1995
Selected 記録，記録的な／記録するs:
"Stockholm Augusti 1978" (Lokomotiv Konkret) (LP/SAM-Urspår 1)
"Lokomotiv Konkret" (LP/SAM-Urspår 4)
"The sky is the 限界" (Lokomotiv Konkret) (LP/SAM-有機の Music)
"Saw" (The Too Much Too Soon Orchestra) (LP/Radium-RA046)
"A 発言する／表明する Still Heard" (Lokomotiv Konkret) (CD/Alice-ALCD 003)
"The Celestial 解雇する／砲火／射撃" (Dror Feiler 単独の) (CD/Ankarström-Ö10)
"Kein Aber" (Lokomotiv Konkret) (LEO LAB CD 011)
