The countries in which his work appears 含む Austria, Canada, Denmark, England, フラン, Germany, Greece, Italy, New Zealand, Russia, Spain, Sweden, Switzerland, the USA and Australia. His writings have been translated into several languages, 含むing German, Danish, ロシアの, and Swedish. He has been a 与える／捧げるing Editor to the Toronto 年４回の, Classical Music Magazine; to 遺産, published in Florida; to Austrian Culture, The Alamo 定期刊行物, プロの／賛成の Musica Sana, and to The Brooklyn Baron. His writings appear in both printed and in online 出版（物）s. His piece, If Brahms Had Lived - A Conjectural Obituary was published in London's The Musical Times (the earliest still-active music 定期刊行物 in England). He has written extensively about Brahms, and these articles have been published in さまざまな countries and their 各々の languages. His personal Recollection of Leonard Bernstein, whom he knew when a student and who was a 助言者 and 重要な 影響（力） during his formative years, appeared in the Musical 業績／成果 定期刊行物 (London), and a special Bernstein-関係のある article, Gone But Not Lost, was published in 序幕, Fugue & Riffs, the 公式の／役人 出版（物） of The Leonard Bernstein Society.

の中で his other writings are 調書をとる／予約する and CD reviews; magazine articles about the pianos, the spiritual 見解（をとる）s, the manuscripts, and the さまざまな 令状ing accouterments of the 作曲家s; and pieces about film 得点する／非難する／２０s and the 作曲家s who wrote them. He has met and spoken with innumerable renowned musicians and 同時代の 作曲家s (some of whom have been the 支配するs of his articles), 含むing Samuel Barber, Pierre Boulez, Elliot Carter, Aaron Copland, Lukas Foss, Roy Harris, Paul Hindemith, Alan Hovhaness, Aram Khachaturian, Peter Mennin, Ned Rorem, Miklos Rozsa, Artur Rubinstein, William Schuman, Leopold Stokowski, Edgar Varèse, and Franz Waxman. Some of his other articles 含む those about Elmer Bernstein, Ernest Bloch, Delius, Mahler, Mendelssohn and Shostakovich.

His 調書をとる／予約する, Beethoven's Piano, was published by New York's Museum of the American Piano; another 調書をとる／予約する, about selected 作曲家s, is now in 準備. He has 与える／捧げるd to the に引き続いて 調書をとる／予約するs: Leonard Bernstein - A Life by Meryle Secrest (Alfred Knopf, New York, 1994), to The 作曲家 In Hollywood by Christopher Palmer (Marion Boyars Publishers, London, 1991), to the college textbook Listening To Music by Dr. Jay Zorn (Prentice Hall, New York, 1995), and to Reflections '97 by Basil Tschaikov & Jon Tolansky (Musical 業績／成果 研究 Centre, Harwood Academic Publishers, London, 1997).

As a historian, and as a relaxing 転換 from the norm of 決まりきった仕事, he has travelled 広範囲にわたって and has 研究d and written articles having a 非，不，無-musical 焦点（を合わせる）, on 支配するs 範囲ing from Goethe to George Washington, antiques, travel, the Alamo and other historic structures (含むing the Brahms Museum in Mrzzuschlag, Austria, and Vienna's Kunsthistorisches Museum, whose Curator he interviewed and of whom he wrote a profile), essays on the 関係s between the 独立した・無所属 and the academic scholar, articles about the practical and conceptual difficulties authors 直面する today, and a historical 視野 of James Bowie.