Brad を締める

Photographer, graphic artist. Born 1953 in Toronto, Canada.

Education: 1972-73, University of Western Ontario (London); 1973-76 Hons. B.A. 罰金 Arts, University of Guelph (Ontario); 1976 St. Michael's Printshop (Burnt Cove, Newfoundland); 1977 Ontario College of Art & Design (Toronto, Ontario); 1979-82 卒業生（する）熟考する／考慮するs (MFA) in graphic arts, 罰金 arts, photography, theory, Nova Scotia College of Art and Design (Halifax, Nova Scotia); 1982 International 探偵，刑事 Training School Diploma; 1988 Nexus 圧力（をかける） Residency, (Atlanta, GA); 1985-89 Macintosh (& PC) Desktop Publishing Courses; Protomedia, 圧力（をかける）-Work and Public 接近, (Toronto, Halifax); 1990-91 Hell Chromacom 2000 指示／教授／教育 (Melville, NY); Scriptmaster 指示／教授／教育 (St. Louis, MO); 1992 Agfa Pix, Catalyst, Selectset training (Portland, OR); 1992 前進するd Imaging Techniques, 中心 for Creative Imaging (Camden, ME).

Work experience: 1974-76: 設立するing Member. Ed ビデオ Inc., Guelph, Ontario; 1976-82: (part-time/時折の) Board of Directors, 出版（物） Design/議会, Curatorial Staff, 基金ing 陪審／陪審員団s. University of Guelph Gallery, 注目する，もくろむ Level Gallery (Halifax), Centre for Art Tapes (Halifax), 大西洋 Centre for Photography (Halifax), Canada 会議 (Ottawa); 1979-84: Teaching Assistant, 音声部の-Visual Assistant, College 圧力（をかける） Assistant. Nova Scotia College of Art and Design, Halifax, Nova Scotia; 1984-88: Proof-checking, 議会, 示す-up, Stripping, Scanning. Maclean-Hunter Ltd., Toronto, Ontario; 1988-89: Typesetter (Macintosh and Compugraphic), 示す-up, 議会, Proof-checking. Metroland (TorStar) Ltd., Scarborough, Ontario; 1989-90: 事実上の／代理生産／産物経営者／支配人. Chinook 観察者／傍聴者, Long Beach, Washington; 1990-91: System 経営者／支配人/操作者. Toucan ざっと目を通す, Portland, Oregon; 1991-92: Computer Imaging Specialist. Graphic Color, Portland, Oregon; 1992: Systems 操作者. ColorPrep, Cambridge, Massachusetts; 1992-93: Electronic Imaging Specialist. Daniel's Printing, Everett, Massachusetts; 1993-94: Visiting Professor. University of Victoria, Victoria, British Columbia.

Presently living in Portland, Oregon.

Photographic and other design 事業／計画（する）s:

1973 "（危険などに）さらす", first one-man 展示, consisted of ocean-shore-乱打するd and phenyl-blue-dyed etching-papers with plenty of photographic documentation.
1977 "Babies, Cakes, Dogs" (over 200,000 discarded snapshots from a Toronto photofinishing 研究室／実験室) source of 展示s, magazine-出版（物）s, ビデオs and articles.
1979-83 celluloid films: "Arrival" (color, silent, 55 minutes, 16mm film which features the 進歩／革新的な機能不全 of the camera while echoing the 支配する事柄 of Lumière's first film); "X00X" (color, silent, 72 minutes, 16mm film consisting of a year's 再編するd documentation of the 解雇する／砲火／射撃ing of the noon-day gun in Halifax); さまざまな low-予算審査s.
1979-86 The "MetaConstruct": Thirteen Interdependent 取り付け・設備s across Canada; i.a. the 発射／推定s (b/w slides of nurses' uniforms and cinema leader), the "Electro-Mechanical Contrivances" (e.g. spinning 落ちるs of 徐々に, unbraiding, red hair, or 一時停止するd 動揺させるing teacups, or oscillating fans equipped with （衆議院の）議長s, playing crackled 緊張するs of Amazing Grace).
1980 "White Cars at Night", color transparencies with electronic flash.
1980-95 一連の self-published ISBN Bookworks: (十分な-page bleed photos/weboffset on newsprint/128-1024 pages each. 肩書を与えるs are the same as ISB numbers: "ISBN 0-9690745-0-6", "ISBN 0-9690745-1-4" and "ISBN 0-9690745-2-2".
1981-89-95 "Millennium 事業／計画（する）": Illustrations for an essay (refracted 水晶 Palace/崩壊（する）d, hollowed-out and redrawn 風刺漫画 imagery; several hundred, さまざまな red-署名／調印するs on tracing-layout-paper 製図／抽選s/collages, 繰り返して overprinted with 83 small photo-linocuts in white, waterbase lino-署名／調印する; possible 熟考する／考慮するs for very large frescoes).
1982 "Red/White", c-prints.
1982-85 "Tex-Park", "Vernal 646", "Amazing Grace", "Aura" (音声部の-取り付け・設備s: Halifax, Toronto, Peterborough, Buffalo, New York City, et al. 無線で通信する broadcasts.)
1987 Nexus 圧力（をかける） Residency 事業／計画（する）, Atlanta, Georgia (four large 相殺する posters and mailer; 分配するd 自由に) still 利用できる. Animated 中断; Four Red Duotones in a Discontinuous 象徴的な Order: (1) All is not forgiven, (2) Escape or 復讐, (3) Sculpture: The three smallest bones, (4) Douzaine Suzanne: 有罪の in your 注目する，もくろむs.
1989 "World Persona" (VDT Calligraphic Laserscript) type design to …を伴って a 包括的な collection of visages. To be 会社にする／組み込むd in the Matchbook-Movies (desktop 数字表示式のビデオ).
1995 "The 12hr-ISBN-JPEG 事業／計画（する）". Every 12 hours, another sequenced image is published on the Internet

Brad を締める may be 接触するd through e-mail: bbrace@netcom.com

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