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			"Anthropophagous" (74 K)
			"Triptych" (72 K)
			"Totem" (48 K)
			"Divinity" (64 K)

Alessandro Bavari belongs to that group of artists in constant technical and 批判的な ferment who are able to feel the importance of the tragical and happy events of human 存在 with a sensitivity which is divinatory. His 象徴的な universe is 十分な of myths, allusions, allegories, which have their own roots in the Indo-European cultural tradition. Using 代表 at the 限界s of gestic 表現, photograph, 絵, computer graphics 許す him to give us, いつかs in a paroxysmic way, the cathartic 可能性 of life beyond death, to catch the 残虐な strength of nature and to 解釈する／通訳する mythology with the 注目する，もくろむ of the 現在の. So, the already について言及するd techniques 許す him to 表明する himself, using a new expressive strength characterized by a concise, 必須の figuration 焦点（を合わせる）d on a few sure elements. Here then appear, as obsessive and repeated suggestions, the constant 主題s of the European figurative tradition: the 警告 of life's caducity, the beauty that passes, but also the 初期の 序幕 of rebirth; this last 支配する has characterized the history of symbolistic culture from the classic world till today. This 警告 appears to us very 現在の as we feel the call to superindividual, 客観的な, ideal values. But Alessandro Bavari doesn't give us an apocalyptic 見通し of reality; he 避けるs mental 部類s linked to 大混乱 through exaltation of disorder; on the contrary, he 示唆するs to us the search of a new religiosity, new pagan, in which the only 保証／確信 is the constant 可能性 that the soul can 生き残る through art. Max Vittori See also the Alessandro Bavari 公式の／役人 Website.